Mahler: Symphony No. 9 D major for orchestra, for orchestra

The large-scale form of "Symphony No. 9" is unusual in a number of ways. It reminds in no way of the ninth symphonies of famous predecessors. Two slow movements, an Andante comodo at the beginning and an Adagio at the end, form the frame for two of the most parodistic and embittered inner movements that Mahler ever wrote - a ländler-waltz combination, and the 'Rondo-Burleske', a bitter, ironic movement that is derisively dedicated 'to my brothers in Apollo'. The most extraordinary part of Mahler's last completed symphony must certainly be the slow finale - a 20-minute long intensively singing movement laden with conflict that includes references to earlier works by Mahler, in slow motion as it were ("Urlicht"," Ablösung im Sommer", the "Scherzo of Symphony No. 3", "Der Abschied" from "Das Lied von der Erde", and "Oft denk' ich, sie sind nur ausgegangen" from the "Kindertotenlieder"); it indeed seems that a circle is being closed. (Reinhold Kubik)

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