Leoš Janáček: Sinfonietta

  • for orchestra
  • 4 2 4 2 - 4 12 4 1 - timp, perc, hp, t.tuba(2), bass tpt(2), str
  • Duration: 25’
  • Instrumentation details:
    1st flute
    2nd flute
    3rd flute
    4th flute (+picc)
    1st oboe
    2nd oboe (+c.a)
    clarinet in Eb
    1st clarinet in Bb
    2nd clarinet in Bb
    bass clarinet in Bb
    1st bassoon
    2nd bassoon
    1st horn in F
    2nd horn in F
    3rd horn in F
    4th horn in F
    1st trumpet in F (+tpt(C))
    2nd trumpet in F (+tpt(C))
    3rd trumpet in F (+tpt(C))
    1st trombone
    2nd trombone
    3rd trombone
    4th trombone
    tuba
    1st trumpet in C in (Banda)
    2nd trumpet in C in (Banda)
    3rd trumpet in C in (Banda)
    4th trumpet in C in (Banda)
    5th trumpet in C in (Banda)
    6th trumpet in C in (Banda)
    7th trumpet in C in (Banda)
    8th trumpet in C in (Banda)
    9th trumpet in C in (Banda)
    1st tenor tuba in Bb in (Banda)
    2nd tenor tuba in Bb in (Banda)
    1st bass trumpet in (Banda)
    2nd bass trumpet in (Banda)
    timpani
    percussion
    harp
    violin I
    violin II
    viola
    violoncello
    double bass
  • Composer: Leoš Janáček
  • Editor: Jiří Zahrádka
  • Dedication: Venováno pani R. Newmarchové Frau Rosa Newmarch gewidmet Dedicated to Mrs Rosa Newmarch
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Printed product

Leoš Janáček: Sinfonietta for orchestra | UE36503

  • Edition type: study score
  • Series: Neue Studienpartituren-Reihe
  • Edition info: New critical edition by Jirí Zahrádka.
  • Format: 17.0 × 24.0 cm
  • ISBN: 978-3-7024-7460-7
  • ISMN: 979-0-008-08789-9
€39.95
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Description

The new critical and practical edition of Sinfonietta reflects all existing sources, including those recently discovered during the work on the edition. It is primarily based on the transcription of the score that was used to stage the premiere and then served as a print template. The transcription was subjected to the first press release, and contained the premiere manuscript orchestral voices, autograph and corrections. In principle, Sinfonietta is restored to the premiere version of 1926, when it was staged with the Czech Philharmonic Orchestra conductor Václav Talich.

However, the edition reflects some of the composer's wishes that were not taken into account at the premiere due to technical reasons and then did not make it into the edition (e.g. 12 trumpets used in the second sentence). The notes also point to the additions made by Václav Talich to the instrumentation. The use of these additions, which made it into the first edition, are thus at the discretion of the conductor. Elimination of errors and inaccuracies, which arose already in the transcription, when the copyist Václav Sedlá?ek inaccurately or incorrectly understood Janá?ek's illegible autograph, was also part of the work when preparing the edition. According to sources, the editor also added further dynamics, specified the tempo and corrected errors. In the notes, the score also makes some additions that Janá?ek tolerated, but it is not clear whether he completely identified himself with them (e.g. additions made by the conductor Otto Klemperer at the end).

The edition also includes possible solutions for problematic sound bottlenecks designed by Janá?ek's chief conductor Charles Mackerras. The edition also contains a detailed introduction, which elaborates on the genesis of the work and Janá?ek's views on interpretation of the composition, as evidenced by the sources (use of a military band, performance of a wind ensemble, type of instruments favoured by Janá?ek, etc.)

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