Arvo Pärt: Berliner Messe

  • for mixed choir (SATB) and string orchestra
  • minimum number of players: 10 8 6 6 4 or 8 8 6 6 4
  • Duration: 25’
  • Instrumentation details:
    violin I
    violin II
    viola
    violoncello
    contrabass (The minimum number of players would be 10 8 6 6 4 or 8 8 6 6 4)
  • Composer: Arvo Pärt
  • Table of contents:
    Kyrie
    Gloria
    Erster Alleluiavers zum Weihnachtsfest (ad lib.)
    Zweiter Alleluiavers zum Weihnachtsfest (ad lib.)
    Erster Alleluiavers zum Pfingstfest (ad lib.)
    Zweiter Alleluiavers zum Pfingstfest (ad lib.)
    Veni Sancte Spiritus (ad lib.)
    Credo
    Sanctus
    Agnus Dei
  • Commission: im Auftrag des 90. Deutschen Katholikentages Berlin e.V.
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Printed product

Arvo Pärt: Berliner Messe (Berlin Mass) for mixed choir (SATB) and string orchestra | UE35554

  • Edition type: study score
  • Series: Neue Studienpartituren-Reihe
  • Languages: Latin
  • Edition info: 1999, revised version 2002
  • Format: 17.0 × 24.0 cm
  • ISBN: 978-3-7024-7209-2
  • ISMN: 979-0-008-08539-0
€42.50
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Description

The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown)

The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier)

'... diatonic melodies, clearly defined rhythmic patterns, consonant harmonic textures that coalesce into long, arching spans during which time seems to stand still.' (Peter G. Davis, music critic)

Sample Pages

Contents

  • Kyrie
  • Gloria
  • Erster Alleluiavers zum Weihnachtsfest (ad lib.)
  • Zweiter Alleluiavers zum Weihnachtsfest (ad lib.)
  • Erster Alleluiavers zum Pfingstfest (ad lib.)
  • Zweiter Alleluiavers zum Pfingstfest (ad lib.)
  • Veni Sancte Spiritus (ad lib.)
  • Credo
  • Sanctus
  • Agnus Dei

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