Pierre Boulez: Cummings ist der Dichter

  • for 16 solo voices or mixed choir and instruments
  • version 1986
  • 2 2 3 2 - 2 2 2 1 - hp(3), vln(3), vla(2), vc(2), cb(1)
  • Duration: 13–14'
  • Soloists:
    soprano
    alto
    tenor
    bass
  • Instrumentation details:
    1st flute
    2nd flute
    oboe
    cor anglais
    1st clarinet in Bb
    2nd clarinet in Bb
    bass clarinet in Bb
    1st bassoon
    2nd bassoon
    1st horn in F
    2nd horn in F
    1st trumpet in C
    2nd trumpet in C
    1st trombone
    2nd trombone
    bass tuba
    1st harp
    2nd harp
    3rd harp
    1st violin
    2nd violin
    3rd violin
    1st viola
    2nd viola
    1st violoncello
    2nd violoncello
    contrabass
  • Choir: SATB (bis 48 Stimmen)
  • Composer: Pierre Boulez
  • Text author: E. E. Cummings

Work introduction

Pierre Boulez became familiar with the poems of Edward Estlin Cummings, the maverick of American literature, during his first visit to the United States in 1952, when he was immediately gripped by Cummings’ way of interleaving turmoil and structure.

Cummings numbers among those poets for whom the sense of language is not exhausted by being a vehicle of expression and communication. For him, language was also material to be tapped through analysis. Yet semantics and material character do not constitute two aspects of language which would combine to block any impartation; rather, Cummings’ work is so attractive precisely because its material analyses reveal surprising layers of meaning – and Boulez sought to capture that multidimensionality in music.

Thus, the antinomy of the semantic-material in Boulez’ musical structure versus e.g. voices – instruments, lines – individual notes, pitches – noise, heterophony – corresponds to organised harmoniousness inexactly – metrically or not, precisely or not. The fact that such impartation can extend to override opposites becomes clear when Boulez speaks of “orchestrating singing voices.”

Boulez did not restrict himself to one of Cummings’ poems; he chose four of them which are closely related in their semantics and material disposition.

© Willi Reich (from the programme booklet for the first performance)

Translated by Grant Chorley, 2013

Audiosamples

The complete perusal score (PDF-preview)

World première

Location:
Stuttgart (DE)
Date:
25.09.1970
Orchestra:
Mitglieder des Südfunk-SO
Conductor:
Clytus Gottwald

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