

Michael Shapiro
Frankenstein-The Movie Score (Large Orchestra version)
Short instrumentation: 2 2 2 2 - 4 2 2 1, timp, perc(2), pno, str
Duration: 75'
Instrumentation details:
1st flute
2nd flute
1st oboe
2nd oboe
1st clarinet
2nd clarinet
1st bassoon
2nd bassoon
1st horn in F
2nd horn in F
3rd horn in F
4th horn in F
1st trumpet in Bb
2nd trumpet in Bb
1st tenor trombone
2nd tenor trombone
tuba
timpani
1st percussion
2nd percussion
piano
violin I (12 players)
violin II (10 players)
viola (8 players)
violoncello (6 players)
double bass (6 players)
Frankenstein-The Movie Score (Large Orchestra version)
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Michael Shapiro
Frankenstein-The Movie Score (Large Orchestra version)Type: Dirigierpartitur
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Audio preview
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Work introduction
Michael Shapiro was commissioned in 2001 by The Chappaqua Orchestra’s Boris Koutzen Memorial Fund to write the movie score for the classic film Frankenstein (1931) directed by James Whale and starring Colin Clive and Boris Karloff. The world premiere of the work with live orchestra and film occurred in October 2002 at the Film Society of Lincoln Center’s Jacob Burns Film Center in New York and since its premiere has received over 60 productions worldwide.
Unlike The Bride of Frankenstein (1935), with its lush score by Franz Waxman, the original Frankenstein was produced without a movie score. Many critics, such as Leonard Maltin, have remarked that Frankenstein is badly in need of music. Mr. Shapiro’s 70-minute score is written to be played under the dialogue of the film. For modern day moviegoers, Mr. Shapiro’s haunting music adds significantly to the emotional impact of the film.
Creative new music programming for:
- Young Audiences and Families
- Halloween
- Film Buffs
- Performance and Master Classes for Music, Composition, or Film Students
- Benefit Events
- Collaborations
75 minutes simultaneous to movie
Music under dialogue
Instrumentation (four versions): full orchestra, chamber orchestra, wind ensemble, opera with five singers
What is necessary to perform this work?
Michael Shapiro’s Frankenstein (1931)
Tech Rider
Technical Requirements
1. Large screen hanging stage rear
2. Orchestra on stage or in pit
3. Optional: Wireless microphone offstage right (for pre-concert announcement)
4. Projectionist: operate DVD or BluRay projector from rear hall with sufficient lens for
projection
5. DVD or BluRay disc of the film
6. Optional: Sound engineer: (please note that this is only recommended in movie theaters
not concert halls where acoustic projection of the orchestra’s sound is recommended).
Sound Engineer would be for balancing film sound with orchestra (some productions
mike the orchestra through the soundboard to blend the music into the film soundtrack)
Instrumentation
Available Editions:
1. Chamber orchestra – 1,1,1,1 – 1,1,1,1 – piano/electronic keyboard with amp – timp.,
BD – single strings (please note that the chamber orchestra version can be increased to
theater size orchestra by adding strings)
2. Full orchestra – 2 (alt. picc.), 2,2,2 – 4,2,2,1 – piano/electronic keyboard with amp, harp
– timp. , perc. (2) – strings□(percussion instruments are as follow: Perc 1: Glockenspiel
(played with mallets as well as Finger Cymbals) and Vibraphone□Perc 2: Tam Tam, Bass
Drum, Suspended Cymbal, Mark Tree, Triangle)
[Overture to Frankenstein, The Movie Score, performed by the City of Birmingham
Symphony Orchestra (UK) conducted by Michael Shapiro is available on iTunes and on
Soundcloud at
https://soundcloud.com/michael-shapiro-14/5-overture-to-frankenstein-the?in=michael-s
hapiro-14/sets/second-symphony]
3. Wind ensemble – Flute 1, Flute 2 (doubles on Piccolo), Oboe 1 & 2, Bb Clarinet 1 & 2,
Bb Bass Clarinet, Bassoon 1 & 2, Alto Sax 1 & 2, Tenor Sax, Baritone Sax, Horn in F 1 &
2, Bb Trumpet 1&2, Trombone 1 & 2, Tuba, String Bass, Timpani, Percussion 1,
Percussion 2, Piano
Michael Shapiro’s Frankenstein (1931)
Tech Rider
4. Operatic Version – five singers (soprano, contralto, tenor, baritone, and bass) with
either the chamber orchestra or full orchestra (please note that the chamber orchestra
can be modified to add more strings keeping the single winds in place)
Rehearsal Requirements
1. It is highly recommended that at least two (2) orchestral rehearsals precede the
performance. Three (3) rehearsals are ideal. In the operatic version, three (3) rehearsals
with the singers alone is preferred.
2. The first rehearsal should be restricted to the music without the film. The dress rehearsal
should include spots and then the running of the film without interruption in the hall
where the performance will take place.
3. A dry tech rehearsal in the hall prior to the performance is highly recommended with the
projectionist and sound engineer.
Hospitality
1. If Michael Shapiro conducts, in addition to the conducting and licensing fees, Presenter
shall provide hotel or business apartment, roundtrip airfare, rental car expenses,
$100/day food allowance, and private dressing room.
2. If score is licensed but Michael Shapiro is not conducting, Michael Shapiro is available
for press interviews via phone or Zoom, and if in attendance, hotel or business
apartment and roundtrip airfare are to be provided by the Presenter.
Promotional Ideas
1. Costume competition with prizes awarded and audience involvement
● It's Halloween and people like to dress up in costume
● Advertise that there will be a costume competition with prizes awarded (i.e. Best
Monster, Best Monster Bride, Best Mad Doctor)
● Separate kids from adult prizes. Prizes can be orchestra tee shirts or tickets to
other events.
● Post pictures of costumes on orchestra website or Facebook page
Michael Shapiro’s Frankenstein (1931)
Tech Rider
2. Promote the show at:
● local colleges and schools
● film studies classes (a recent Delaware performance highlighted a UDel prof who
is an expert on Mary Shelley!)
● local film societies
● contact local film critics (they often teach and like to lecture on classic films)
3. Media promotion
● Advertise the show not only on the concert page but on the movie listings page
(place ads more than once if possible).
● Arrange for local TV, radio, and print feature articles about the piece and Michael
Shapiro to appear one week before the performance – Mr. Shapiro is available
for any press coverage that can be arranged (such as the terrific front
Entertainment page coverage in the Boston Globe). As you know, feature articles
sell concerts.
4. Decorate the lobby and hall with black and orange paper maché and/or Halloween
decorations.
5. Post a large banner outside the concert hall with a picture of the Monster and the date
and time of the performance and a catchy phrase like “_________
Symphony Creates a Monster!"
6. Set up a special table for pre‑Monster ticket sales at your season opening night. Get a
full blow-up of the Monster and put it in the lobby at your first concert with a ticket seller
table next to it
Example:
https://www.spirithalloween.com/product/8-ft-led-inflatable-frankenstein-decorations/2157
96.uts?Extid=sf_froogle
Miscellaneous
1. Presenter is responsible for the purchasing and shipping of the DVD / Blu-Ray, and
shipping expenses for procuring and returning the score.
Publisher
Universal Edition/Wien - for more information please
visit
https://www.universaledition.com/michael-shapiro-8499#links