Giovanni D'Aquila
Montague + Capulet
Short instrumentation: 0 0 0 0 - 0 0 0 0, str
Duration: 19'
Solos:
flute
piccolo
2× oboe
2× clarinet in Bb
2× bassoon
2× horn in F
2× trumpet in Bb
percussion
timpani
Instrumentation details:
violin I (12 players)
violin II (10 players)
viola (8 players)
violoncello (6 players)
double bass (4 players)
Montague + Capulet
Printed/Digital
Translation, reprints and more
Giovanni D'Aquila
10. Horn in F (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
11. Trompete in B (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
12. Trompete in B (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
3. Oboe (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
4. Oboe (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
5. Klarinette in B (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
6. Klarinette in B (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
7. Fagott (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
8. Fagott (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
9. Horn in F (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
Kleine Flöte (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Giovanni D'Aquila
Schlagzeug (Montague + Capulet)
Available digitally
Type: Solostimme(n)
Work introduction
Montague + Capulets is an honest homage to Vincenzo Bellini: a summary of "Capuleti e Montecchi", but at the same time a new interpretation using original materials following quite completely sources, but working with interpolation methods, such as in a puzzle where some pieces are used and related each other using oil paints or watercolors to to recreate the same image in a new, different version.
The used harmonic codes are either sometimes similar, very different inother situations ranging to the octatonic degree, in a game of apparent emulation that leads inadvertently to travel along paths very far away the starting point: this also thanks to the use of more or less clear quotations of fragments by Bellini and not