

Annamaria Kowalsky
Violin Concerto No. 1
Short instrumentation: 2 2 2 2 - 2 2 0 0, timp, str
Duration: 25'
Solos:
violin
Instrumentation details:
1st flute
2nd flute (+picc)
1st oboe
2nd oboe
1st clarinet in Bb
2nd clarinet in Bb (+bass cl(Bb))
1st bassoon
2nd bassoon
1st horn in F
2nd horn in F
1st trumpet in Bb
2nd trumpet in Bb
timpani
violin I (7 players)
violin II (6 players)
viola (5 players)
violoncello (4 players)
double bass (3 players)
Violin Concerto No. 1
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Annamaria Kowalsky
Violin Concerto No. 1Orchestration: for chamber orchestra
Type: Dirigierpartitur

Annamaria Kowalsky
Violine (Violin Concerto No. 1)Type: Solostimme(n)
Sample pages
Audio preview
Work introduction
Commissioned by the Swedish Chamber Orchestra for violinist Ava Bahari, this violin concerto is a profound exploration of the themes of memory, perception, and materiality, uniquely realized through the integration of music, visual art and scent. The work is structured in three movements—Collage, Meditation, and Kaleidoscope—each of which delves into these philosophical concepts through rhythmically intricate and thematically rich compositions.
"Collage," the first movement, sets the stage with a dynamic interplay of motifs that reflect the fragmented yet interconnected nature of memory. The second movement, "Meditation," shifts to a more contemplative tone, featuring delicate harmonies and lyrical violin passages that invite introspection. The final movement, "Kaleidoscope," brings the concerto to a vibrant conclusion, capturing the fluid and ever-evolving nature of perception with its intricate and evolving musical patterns. Each movement is paired with a bespoke scent composition, designed to enhance the listener's sensory experience and deepen their engagement with the music. As a synesthete, the composer seeks to convey a multi-sensory experience through her multidisciplinary works, enriching the audience's perception and understanding. The live performance is augmented by audio-reactive visuals, creating a synesthetic experience that transcends conventional boundaries.
The work is also available in a version for symphony orchestra.
What is necessary to perform this work?
Audio-reactive visuals, performed by the composer herself, as well as scent compositions are optionally available. Please reach out to the composer via her website (www.annamariakowalsky.com/contact).