Dynamia implies "Potentiality" in Greek language. The "I can" that accompanies none our representations – or actions. Beyond all faculties, this "I can" does not mean anything – yet it marks what is for each of us, perhaps the hardest and bitterest experience possible: the experience of potentiality. Adyanmia however means "Impotentiallity". This term was firstly defined by Aristotle and it refers to the ability of denying the cycle of do some actions for legitimizing our potentiality, in order to gaining approval from the society. It should not be misunderstood with weakness. It's more likely the power of denying the power! The power of negating the society and their approval. And the price for this is to have the power and ability to negate yourself! the most expensive price one can pay! 

Following the above-mentioned idea, this piece is consisted from a set of cycles that all of them negates their potentiality, exactly in the moment that they are expected to develop and showing themselves as a "Section" to the ourselves, in a way we assume. The musicians' line-up in this piece is also as follows: Violin 1 & Cello: Male - Violin 2 & Viola: Female. Since "Gender" is one of my main concerns, I was thinking of how can I react to this term throughout my works and this piece is actually an attempt to do so. I lived in a country and region where gender discrimination is systematically spread throughout society by the government, tradition, and religion, and I personally experienced the lack of equality with my bones and flesh, so I am fully aware of how gender discrimination could have turned the entire society into a living nightmare!  

Those previously described cycles however reaches to a "musical drama". The script taken from Fernando Pessoa's drama "The Mariner" and the entire segment is in keeping with the piece's overall theme. In this part, the musicians are performing some sentences from Pessoa's drama with the expressions, intonations, rhythm, dynamic and other musical elements which has been specified in the score; And this is why I refer to this section as a musical drama. It is a metaphor for the entire idea of the piece and my frame of mind, and also represents the reasons one might have for negating themselves and consequently the whole world.